Foreword
Dear Customer,
Welcome to the team of EUROLIVE users and thank you very much for expressing your confidence in
BEHRINGER products by purchasing this P.A. loudspeaker box.
It is one of my most pleasant tasks to write this letter to you, because it is the culmination of many months of
hard work delivered by our engineering team to reach a very ambitious goal: to present you with an outstanding
P.A. loudspeaker system that gives you maximum flexibility and performance with its unique sound character
and broad range of features. The task to design the new EUROLIVE SERIES certainly meant a great deal of
responsibility, which we assumed by focusing on you, the discerning user and musician. It also meant a lot of
work and night shifts to accomplish this goal. But it was fun, too. Developing a product usually brings a lot of
people together, and what a great feeling it is when everybody who participated in such a project can be proud
of what we’ve achieved.
It is our philosophy to share our joy with you, because you are the most important member of the BEHRINGER
team. With your highly competent suggestions for new products you’ve greatly contributed to shaping our
company and making it successful. In return, we guarantee you uncompromising quality (manufactured under
the stringent BEHRINGER quality-control system) as well as excellent technical and audio properties at an
extremely favorable price. All of this will enable you to fully unfold your creativity without being hampered by
budget constraints.
We are often asked how we can manage to produce such high-grade devices at such unbelievably low prices.
The answer is quite simple: it’s you, our customers! Many satisfied customers means large sales volumes
enabling us to negotiate better conditions of purchase for components etc. Isn’t it only fair to pass this benefit
back to you? Because we know that your success is also our success!
I would like to thank all people whose help on “Project EUROLIVE SERIES” has made it all possible. Everybody
has made very personal contributions, starting from the designers of the unit to the many staff members in our
company and finally to you, the user of BEHRINGER products.
My friends, it’s been worth the trouble!
Thank you very much,
Uli Behringer
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EUROLIVE®
Professional Loudspeaker System
s Powerful, durable P.A. speaker cabinets with incredible cutting power
s Extremely high sound pressure level for first-class sound and optimum performance
s Distortion-free reproduction of audio material
s Optional bi-amping or full range operation on all multi-way systems
s 1" Titanium tweeter on all multi-way systems for natural high-frequency reproduction
s BEHRINGER CD-horn technology for controlled dispersion
s Integrated tweeter protection
s Trapezoidal cabinet for perfect cluster formation
s Ultra-rugged carpet covering for efficient cabinet protection
s Plastic corners for additional protection and safe stacking
s Ergonomically shaped handles for easy transport
s Solid steel grille and polyester foam protect the speakers against moisture and mechanical damage
s All “front-of-house” models include an adapter for stand mounting
s Subwoofers with zero-backlash threaded flange M20 for installation of commercial spacer rods
s Floor monitors feature two different cabinet angles
s Durable, professional quality input/output connectors
s Cabinet constructed entirely of environmentally-friendly E1-MDF wood
s The EUROLIVE SERIES includes floor monitors, full range cabinets and subwoofers
s Manufactured under the BEHRINGER quality control
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TABLE OF CONTENTS
1. INTRODUCTION.....................................................................................................................6
1.1 Before you begin ............................................................................................................................. 6
1.2 Connection...................................................................................................................................... 6
2. OPTIMUM PERFORMANCE ..................................................................................................7
2.1 Tweeter ........................................................................................................................................... 7
2.2 How to avoid feedback .................................................................................................................... 7
2.3 How to avoid feedback when using turntables (DJ Applications)....................................................... 7
2.4 Speaker protection through low-cut filter .......................................................................................... 7
3. OPERATING MODES .............................................................................................................8
3.1 FULL RANGE operation .................................................................................................................. 8
3.2 BI-AMPING operation ...................................................................................................................... 8
3.2.1 Advantages ........................................................................................................................... 8
3.2.2 Selecting the crossover frequency......................................................................................... 8
3.3 Looping through subwoofer signals.................................................................................................. 8
4. PIN ASSIGNMENTS................................................................................................................8
4.1 FULL RANGE Operation ................................................................................................................. 8
4.2 BI-AMPING Operation ..................................................................................................................... 9
4.3 Subwoofer ....................................................................................................................................... 9
5. WHAT ELSE SHOULD BE CONSIDERED?..........................................................................9
5.1 Length and cross-section of speaker cables ................................................................................... 9
5.2 Power amp performance ................................................................................................................. 9
5.3 Fuses ............................................................................................................................................. 9
5.3.1 How to protect your system .................................................................................................. 9
6. SPECIFICATIONS .................................................................................................................10
7. WARRANTY ........................................................................................................................... 11
ATTENTION!
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The EUROLIVE SERIES loudspeakers are capable of producing extreme volumes. Please bear
in mind, that high sound pressures do not only temporarily damage your sense of hearing, but
can also cause permanent damage. Be careful to select a suitable volume.
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1. INTRODUCTION
With the BEHRINGER EUROLIVE you have acquired a first-class P.A. loudspeaker system. You now own
(at least) one component of an expandable system that gives you an undistorted and well balanced reproduction
of your music material.
Its numerous features make the EUROLIVE SERIES the ideal P.A. loudspeaker system both for club gigs and
large arenas. We designed the EUROLIVE SERIES to provide you with a consistent and complete range of
speakers that gives you all the options you need to expand your P.A. system. All speakers come with pro-level
inputs and outputs, so that you are fully free to expand your setup as required.
The robust cabinets ensure that your EUROLIVE speakers will withstand even rough handling on the road.
They are made of high-grade and non-polluting E1-MDF boards, which are grooved, multi-glued and free of
formaldehydes. Your EUROLIVE speaker was manufactured in compliance with BEHRINGER’s stringent
quality-control system.
1.1 Before you begin
Your EUROLIVE speaker was carefully packed in the factory and the packaging is designed to protect the unit
from rough handling. Nevertheless, we recommend that you carefully examine the packaging and its contents
for any signs of physical damage, which may have occurred during transit.
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If the unit is damaged, please do not return it to BEHRINGER, but notify your dealer and the
shipping company immediately, otherwise claims for damage or replacement may not be
granted. Shipping claims must be made by the consignee.
1.2 Connection
Use the speaker connectors on the rear of the unit to connect the EUROLIVE to your power amplifier.
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Make sure to mute your amplifier before you connect the speaker.
Fig. 1.1: Interface panel of multi-way system
Fig. 1.2: Interface panel of subwoofer
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1. INTRODUCTION
2. OPTIMUM PERFORMANCE
We designed the EUROLIVE SERIES for use in a variety of applications. Naturally, the sound of your speaker
box largely depends on the acoustic properties of the environment in which it is set up. The following points will
give you a few hints enabling you to fully exploit all features of your EUROLIVE speaker system.
2.1 Tweeter
High frequencies are the very part of the audio spectrum that ensures a clear sound and speech intelligibility.
Although these frequencies can be located most easily, they are also the first to be blocked acoustically. We
therefore recommend that you set up your speakers so that the tweeter radiates its signals slightly above the
heads of the audience. This will ensure both an optimum dispersion of the high-frequency content and a
considerably improved speech intelligibility.
2.2 How to avoid feedback
Always place the “front-of-house” speakers (viewed from the audience) in front of the microphones. Use
professional floor monitors (e.g. F1220 or F1520), so that the musicians on stage can hear themselves.
2.3 How to avoid feedback when using turntables (DJ Applications)
Turntables often produce feedback in the bass range: low frequencies are fed back to the pick-up arm and
cartridge to be reproduced again by the speakers. The usual reasons for this effect are speakers set up too
close to the turntable, rooms with a wooden floor or elements placed on the stage. In any such case it will be
best to move the speakers away from the turntable or to move them off the stage and place them on a solid
support. Another possibility is the use of stands, so that there is no direct contact between floor and speakers.
2.4 Speaker protection through low-cut filter
Please avoid situations in which rumble noise or low frequencies can lead to an excessive displacement of the
speaker diaphragm. Use an equalizer to cut the bass signal below the response curve of the speaker, or use
a low-cut or high-pass filter. Most equalizers and sound enhancers provide a low-cut function (e.g. our
BEHRINGER ULTRA-GRAPH PRO GEQ3102).
The use of a low-cut filter in the signal path is recommended, in particular, when you are using turntables and
CD players as your signal sources. CD players often produce extremely low frequencies which can lead to
excessive diaphragm displacement. The only way to avoid damage is to use a high-pass or low-cut filter.
2. OPTIMUM PERFORMANCE
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3. OPERATING MODES
Except for the PA SUBWOOFER all speaker systems from the EUROLIVE SERIES can be operated in two
different modes: FULL RANGE and BI-AMPING. In both modes, the speakers are connected using the high-
quality inputs.
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Never change the operating mode, while an audio signal is active on the EUROLIVE.
3.1 FULL RANGE operation
Except for the subwoofer all EUROLIVE models are equipped with a built-in passive crossover network, which
ensures a smooth transition between the individual frequency range in FULL RANGE mode. This mode is
particularly suitable for small clubs and speech applications in churches and schools as well as for all applications
that require only a small-scale setup.
3.2 BI-AMPING operation
3.2.1 Advantages
BI-AMPING gives you a number of basic advantages: low distortion, greater flexibility of signal transmission
and an improved overall system performance.
3.2.2 Selecting the crossover frequency
When you use an external crossover network such as our BEHRINGER SUPER-X PRO CX3400, please note
chapter 6 “Specifications”, where you find some information on recommended crossover frequencies. We
recommend a slope of at least 12 dB, with higher values providing for improved performance. A slope of 24 dB
is ideal.
3.3 Looping through subwoofer signals
All subwoofers from the EUROLIVE SERIES are equipped with two parallel high-quality connectors.
PINS 2-/2+ are connected to the speaker. PINS 1-/1+ can be used to loop through signals both in FULL
RANGE and BI-AMPING modes. Please follow the instructions given in chapter 4.
4. PIN ASSIGNMENTS
Full Range Mode
Full Range Input
N/C
Loop through
Subwoofer Input
Bi-Amping Mode
Subwoofer Input
Tweeter Input
PINS 1-/1+
PINS 2-/2+
PINS 1-/1+
PINS 2-/2+
Multi-way systems
Subwoofer
-
-
Tab. 4.1: PIN assignments
4.1 FULL RANGE Operation
s
s
Use the selector on the rear to set the unit to FULL RANGE mode.
Assign the output signal to PINS 1-/1+. PINS 2-/2+ are not used.
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3. OPERATING MODES
4.2 BI-AMPING Operation
s
s
Use the selector on the rear to set the unit to BI-AMPING mode.
Assign the subwoofer signal to PINS 1-/1+ and the tweeter signal to PINS 2-/2+.
4.3 Subwoofer
s
s
Assign the subwoofer signal to PINS 2-/2+.
Signal loop through: PINS 1-/1+ are arranged in parallel, so you can loop through a full range and/or
high-pass signal to another full range speaker box. Connect the free connector on the subwoofer to
PINS 1-/1+ on the full range speaker.
5. WHAT ELSE SHOULD BE CONSIDERED?
5.1 Length and cross-section of speaker cables
Speaker cables with too low a cross-section can considerably reduce the performance of your power amps.
The longer the cables, the greater the problem. As a consequence, the user tends to “turn up” the power amp,
which in turn can lead to speaker damage. You should never use cables longer than 30 m. For most applications
this will not be necessary anyway. The cable cross-section should be at least 1.5 to 2.5 mm².
5.2 Power amp performance
Choosing the right power amp can be difficult. Try the following rule of thumb: the amp should provide twice as
much power as the speakers can handle. A speaker with a continuous power rating of 200 watts can easily be
driven by power amps delivering 400 watts of output power.
5.3 Fuses
We do not recommend the use of fuses for audio applications. Speaker damage can be caused by high signal
peaks or high output power. However, fuses can only protect the speaker against one of these, but never
against both. Additionally, fuses can have nonlinear resistances which can lead to distortion and unexpected
overdriving of the speakers.
5.3.1 How to protect your system
s
s
s
Make sure that your audio signal is always set to correct levels. Avoid overdriving your power amps.
Respect the physical limits of your P.A. system.
Use a limiter to limit the output level. Insert the limiter between the mixing console output and your
power amp. Please consider our proven compressors BEHRINGER AUTOCOM PRO MDX1400,
COMPOSER PRO MDX2200 and MULTICOM PRO MDX4400. All models can also be used as limiters.
By eliminating overdriving of your audio signals you can effectively suppress disturbing signal peaks.
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Our crossover network BEHRINGER SUPER-X PRO CX3400 can well be used to protect your
system, as it features independent limiters on each individual output.
5. WHAT ELSE SHOULD BE CONSIDERED?
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6. SPECIFICATIONS
SYSTEM SPECIFICATIONS
F1220/B1220
F1520/B1520
B1800
F1220: 2-way floor monitor
(12" + 1");
B1220: 2-way full range speaker
(12" + 1")
F1520: 2-way floor monitor
(15" + 1");
B1520: 2-way full range speaker
(15" + 1")
Type
Subwoofer (18")
Frequency response
Power rating (RMS)
50 Hz - 18 kHz (-10 dB)
200 Watts
50 Hz - 18 kHz (-10 dB)
200 Watts
42 Hz - 250 Hz (-6 dB)
400 Watts
Power rating1 (pink noise)
400 Watts
400 Watts
600 Watts
Impedance
8 Ohms
8 Ohms
8 Ohms
Sound pressure level2 (1 W @ 1 m)
Dispersion
95 dB (Full Space)
95 dB (Full Space)
98 dB
90° x 40° (F1520);
100° x 40° (B1520)
90° x 40°
-
-
Crossover frequency
2,5 kHz
1,8 kHz
COMPONENTS
Tweeter
44P60A8
44P60A8
-
Woofer
12P200A8
15P200A8
18P400A8
PHYSICAL
F1220:
F1520:
approx. 15.7" * 22.6" * 15.5"
(398 mm * 574 mm * 393 mm)
approx. 18.1" * 25.8" * 16.4"
(458 mm * 655 mm * 416 mm)
approx. 23.4" * 27.6" * 20.9"
(595 mm * 700 mm * 530 mm)
(W * H * D)
B1220:
B1520:
approx. 17.3" * 25.2" * 15.7"
(438 mm * 638 mm * 399 mm)
approx. 20.9" * 28.0" * 16.3"
(529 mm * 711 mm * 414 mm)
F1220: approx. 21 kg
B1220: approx. 23,25 kg
30° / 60°
F1520: approx. 23,10 kg
B1520: approx. 29,75 kg
30° / 60°
Weight
approx. 35,50 kg
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Mounting angle F SERIES
BI-AMPING MODE
Recommended crossover frequency
(external crossover network)3
1,8 kHz - 3,5 kHz
1,2 kHz - 2,2 kHz
80 Hz - 150 Hz
Power rating/Impedance
Woofer
200 Watts RMS/8 Ohms
200 Watts RMS/8 Ohms
-
-
60 Watts RMS/8 Ohms
(>2,2 kHz/12dB/oct)
60 Watts RMS/8 Ohms
(>2,2 kHz/12dB/oct)
Power rating/Impedance
Tweeter
1 Average value over bandwidth of 50 Hz - 5 kHz (Multi-way systems) and 40 Hz - 250 Hz (subwoofer) according to IEC 268-5.
2 Average value over bandwidth of 100 Hz - 2 kHz (Multi-way systems) and 100 Hz - 250 Hz (subwoofer) according to IEC 268-5.
3 Slope: 12 - 24 dB.
BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be
made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or
shown.
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6. SPECIFICATIONS
7. WARRANTY
§ 1 WARRANTY CARD/ONLINE REGISTRATION
To be protected by the extended warranty, the buyer must
complete and return the enclosed warranty card within 14 days
of the date of purchase to BEHRINGER Spezielle Studiotechnik
GmbH, in accordance with the conditions stipulated in § 3. Failure
to return the card in due time (date as per postmark) will void any
extended warranty claims.
3. Free inspections and maintenance/repair work are expressly
excluded from this warranty, in particular, if caused by improper
handling of the product by the user.
This also applies to defects caused by normal wear and tear, in
particular, of faders, potentiometers, keys/buttons and similar
parts.
Based on the conditions herein, the buyer may also choose to
use the online registration option via the Internet
4. Damages/defects caused by the following conditions are not
covered by this warranty:
s misuse, neglect or failure to operate the unit in compliance
with the instructions given in BEHRINGER user or service
manuals.
§ 2 WARRANTY
1. BEHRINGER (BEHRINGER Spezielle Studiotechnik GmbH
including all BEHRINGER subsidiaries listed on the enclosed page,
except BEHRINGER Japan) warrants the mechanical and
electronic components of this product to be free of defects in
material and workmanship for a period of one (1) year from the
original date of purchase, in accordance with the warranty
regulations described below. If the product shows any defects
within the specified warranty period that are not due to normal
wear and tear and/or improper handling by the user, BEHRINGER
shall, at its sole discretion, either repair or replace the product.
s connection or operation of the unit in any way that does not
comply with the technical or safety regulations applicable in
the country where the product is used.
s damages/defects caused by force majeure or any other
condition that is beyond the control of BEHRINGER.
5. Any repair or opening of the unit carried out by unauthorized
personnel (user included) will void the warranty.
6. If an inspection of the product by BEHRINGER shows that the
defect in question is not covered by the warranty, the inspection
costs are payable by the customer.
2. If the warranty claim proves to be justified, the product will be
returned to the user freight prepaid.
3. Warranty claims other than those indicated above are expressly
excluded.
7. Products which do not meet the terms of this warranty will be
repaired exclusively at the buyer’s expense. BEHRINGER will
inform the buyer of any such circumstance. If the buyer fails to
submit a written repair order within 6 weeks after notification,
BEHRINGER will return the unit C.O.D. with a separate invoice
for freight and packing. Such costs will also be invoiced
separately when the buyer has sent in a written repair order.
§ 3 RETURN AUTHORIZATION NUMBER
1. To obtain warranty service, the buyer (or his authorized dealer)
must call BEHRINGER (see enclosed list) during normal business
hours BEFORE returning the product. All inquiries must be
accompanied by a description of the problem. BEHRINGER will
then issue a return authorization number.
§ 5 WARRANTY TRANSFERABILITY
2. Subsequently, the product must be returned in its original
shipping carton, together with the return authorization number to
the address indicated by BEHRINGER.
This warranty is extended exclusively to the original buyer
(customer of retail dealer) and is not transferable to anyone
who may subsequently purchase this product. No other person
(retail dealer, etc.) shall be entitled to give any warranty promise
on behalf of BEHRINGER.
3. Shipments without freight prepaid will not be accepted.
§ 4 WARRANTY REGULATIONS
§ 6 CLAIM FOR DAMAGES
1. Warranty services will be furnished only if the product is
accompanied by a copy of the original retail dealer’s invoice.
Any product deemed eligible for repair or replacement by
BEHRINGER under the terms of this warranty will be repaired or
replaced within 30 days of receipt of the product at BEHRINGER.
Failure of BEHRINGER to provide proper warranty service shall
not entitle the buyer to claim (consequential) damages. In no
event shall the liability of BEHRINGER exceed the invoiced value
of the product.
§ 7 OTHER WARRANTY RIGHTS AND NATIONAL LAW
2. If the product needs to be modified or adapted in order to
comply with applicable technical or safety standards on a national
or local level, in any country which is not the country for which
the product was originally developed and manufactured, this
modification/adaptation shall not be considered a defect in
materials or workmanship. The warranty does not cover any
such modification/adaptation, irrespective of whether it was
carried out properly or not. Under the terms of this warranty,
BEHRINGER shall not be held responsible for any cost resulting
from such a modification/adaptation.
1. This warranty does not exclude or limit the buyer’s statutory
rights provided by national law, in particular, any such rights
against the seller that arise from a legally effective purchase
contract.
2. The warranty regulations mentioned herein are applicable
unless they constitute an infringement of national warranty law.
The information contained in this manual is subject to change without notice. No part of this manual may be reproduced or
transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any
purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH.
BEHRINGER, EUROLIVE, AUTOCOM, COMPOSER, SUPER-X, MULTICOM and ULTRA-GRAPH are registered trademarks.
ALL RIGHTS RESERVED. © 2000 BEHRINGER Spezielle Studiotechnik GmbH.
BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Münchheide II, Germany
Tel. +49 (0) 21 54 / 92 06-0, Fax +49 (0) 21 54 / 92 06-30
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7. WARRANTY
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